Distant-Reading Gender in the Gothic [This essay was written as a final seminar paper for English Looking at Dr Faustus, the only passive victim may only be the Pope who, due to no fault of his own and possibly the fact that there was a reformation at the time this play was writtenhe has been criticized and mocked.
This brings the point forward that the Marquis might have wanted the girl to look into the torture chamber so that he has an excuse to kill her along with his other wives.
Even deathwhich could reasonably appear in either school of novel despite its horrifying potential, is unexpectedly scarce compared to the widespread fainting. Faustus requests the presence of Mephistopheles and signs the contract for his soul too. These demands often force the female into hysterical emotions: To what extent do you agree with this assessment of Gothic fiction?
This is in stark contrast to the pure, virginal imagery used to describe her before the loss of her innocence.
To take a psychoanalytical approach, Mina could be demonstrating a desire to betray her husband with impunity. The latter is fragile and vulnerable, she gives the heroes something to rescue, and is often the prize for their brave endeavours. In contrast, women in the Gothic genre are often presented as an object of lust or desire.
Mina also tends to break free of her vulnerable stereotype by demonstrating bravery, understanding the world around her and offering solutions where the male characters fall short. The scenes in which Lucy is given blood transfusions will have appealed to a female audience in the same way females to this day find vampires attractive.
As well as this, it could also confirm the role of a women in the novel. He rejects material luxuries in order to create his own image of perfection in his wife, the fact that he is not yet satisfied foreshadows the way he believes that only in death can his wives possibly achieve this.
The use of the definitive modal auxiliary verb suggests that Mina has already made the decision to become a mother, and is determined to make it a reality either out of social conformity or her own maternal desire.
Therefore, in the case of Frankenstein, the men are demonised and this is displayed most vividly from the monster killing Justine and Elizabeth who would not and, more importantly, could not have influenced the monster in anyway to make him in anyway vengeful to themselves.
This could illustrate the unnatural transition that has occurred, reflecting that only through biological childbirth can you successfully transform from an individual to a mother.
Women were considered subservient creatures, and a triumph of the Gothic genre is its feminism, where women, through their "idealized moral virtues," break free of their inferior standing. Moreover, the existence of two opposing schools does not prove the equal footing of those schools; setting aside questions of gender to look at the relative prominence of various motifs, readers are vastly more likely to encounter the temporary terrors of abduction and confinement than the more permanent horrors of bones and corpses.
I posit that it is more likely that these caverns are empty of heroines, and have instead appeared as the secret meeting-places of conspirators, as part of a German-influenced tradition of tales about criminal underworlds and evil Illuminati. The problem is that the girl is not a passive victim.
Gendered Gothics At first glance, the gendered differences are not, in fact, particularly striking. The female characters such as Elizabeth and Justine do not provoke the monster in anyway to deserve to die. At this point she is described as almost saint-like, as if she herself is a religious shrine.
From the Middle Ages, literature portrayed females in a number of unbearable dilemmas: Winifred of Wales and St. The concept relies heavily upon conformance to the ideals of femininity and masculinity.
This is the action from the girl that saves her life as it is the mother who kills the Marquis. However, at the time she is attacked by Dracula, Jonathan was sleeping soundly by her side, reflecting a complete failure on his behalf.
Mrs Westenra is used as a dramatic device as the Count requires Lucy and Mina to be vulnerable and on their own, but ladies of that status, particularly in the Victorian era would require a chaperone.
The Turn of the Screw by Henry James also highliths the male dominance, through the story of a governess and a family.
It seems that, for male characters to be of interest to female authors, they need to directly impact female characters through their sexual activity. The Bloody Chamber does have some temporary passive victims throughout the short stories.
The question is thus framed, not as, "what do men usually write about? The women are simply passive victims of male ambition.
However, this girl is not a passive victim. On the other hand, The Bloody Chamber features the men as the demonised character with the women being the passive victim. This can be seen as an example of the consequences that await those who fail to resist the temptation brought about by these female predators.Essay on The Bloody Chamber Words | 15 Pages ‘The role of women in the gothic genre is as victims always subjected to male authority’, compare and contrast to which this interpretation is relevant to your three chosen texts.
Home > English Literature. Question: “The role of women in the gothic genre is as victims, always subject to male authority.” Compare and contrast the extent to which this interpretation is relevant to your three chosen texts.
Prose: •. The Role of women in gothic genre is as victims, always subject to male authority Compare and contrast the extent to which this interpretation is relevant.
Women were considered subservient creatures, and a triumph of the Gothic genre is its feminism, where women, through their "idealized moral virtues," break free of their inferior standing. Male Roles Much of the Gothic male's characterization centers around the archetype of the landed-gentry: lords and kings of their estates, and representative.
The Role of Women as Victims of Male Authority in the Gothic Literature PAGES 8. WORDS 2, View Full Essay. More essays like this: Not sure what I'd do without @Kibin - Alfredo Alvarez, student @ Miami University.
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- Jenna Kraig, student @ UCLA. Wow. Most helpful essay resource ever! 1 “The role of women in gothic genre is as victims always subject to male authority” Throughout the gothic genre, women are seemingly created on two extreme ends of the spectrum as either feeble and innocent victims or vindictive and lascivious predators.
The Romantic poetry of Keats.Download